Published on
14:49 GMT
Don’t cry for me, all you boozers! The trouble with shifting Evita’s big balcony number from stage to street
In the theatrical tactic “breaking the fourth wall”, characters acknowledge the presence of the audience. As when, in the current National Theatre production of Stephen Sondheim’s final musical, Here We Are, the performers, walking forward, stop in shock …
Source:
The Guardian
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